I was given the wonderful opportunity of attending a workshop at Kat's Wonderland Gallery taught by the very talented painter, Kevin Llewellyn, a master of old world technique harmonized with tragic surrealism. Kat posed on the infamous lacquer black throne with her adorable sphynx cat, Piaf, for about three hours while I worked on one of my first official portraits. Yeah yeah so what I have done plenty of figure drawing, but I have never spent three hours on a bust focusing on likeness and every little fluctuation in curve. You would like your subject to be recognizable, especially one who has their face on the cover of magazines regularly; This ain't no Bono cake from Yes Man, ya know?
A few hours into the drawing session Kevin came over for a quick critique, instructing me not to take certain shadows too literally to soften the face, and focus on skeletal structure pertaining to the planes of the skull. His suggestions simplified my process, allowing my brain imaginary airbrush tools that made my drawing turn out much smoother.
As I've mentioned before when you are drawing, especially with figure models, you zone out to where there is no longer a human at all, but a subject made of lines and gradients, a form that you must grow to understand before it speaks to you on paper. As an artist you have a special gift: You can not only appreciate someone for their beauty, but for their flaws and choose to accentuate those beautiful details that normal people may not see at all.
I was interviewed on camera for the next season of LA Ink on TLC, make sure to tune in when the new season starts to catch coverage of the drawing workshop and possibly see me stutter and not make any sense at all.
You like that? Who needs Photoshop when you have MS Paint! I'm so pro.
Okay folks, below is my finished product from the workshop. My portrait of the artist, Kat Von D. 5/1/11 ...